Haunted by Missed Opportunities

Five Ghosts:  The Haunting of Fabian Gray, Vol. 1
Written by Frank J. Barbiere
Illustrated by Chris Mooneyham
Published by Image
2 1/2 Out of 5 Stars

2 1/2 Stars.

Part Indiana Jones, part Gambit, part James Bond and all pulp, Five Ghosts: The Haunting of Fabian Gray starts off as a fun throwback to the classic adventure narrative of the 30's and 40's. And then it does a cannonball into an empty pool, which is to say the creators really should have paid more attention as to where this thing was going.

Fabian Gray is a charming and handsome master thief who has spent his life acquiring some of the world's finest antiquities, with the help of his twin sister. However, when he and his sister attempt to steal The Dreamstone, things go cockeyed. Now his sister is in a coma and Fabian has five shards of The Dreamstone lodged in his chest--and within each stone is the essence of an archetypal figure: the detective, the samurai, the wizard, the archer and the vampire. Trapped within Gray's body, Gray can draw upon the powers of these "ghosts" to aid him in his newest quest--to find the artifact that will cure his sister. 

Set in the 1930's, Mooneyham evokes the look and feel of the pulp comics from that time period, adding to the overall narrative.  Things won't be easy for Fabian--supernatural forces are working against him, exotic locales need visiting, beautiful women need ravishing, and the "ghosts" are becoming increasingly unhappy over their imprisonment within Gray. And this is where the narrative lost me. Fabian must pass a test created by each of his ghosts, from which he will gain profound insight. These "tests" are anticlimactic, confusing, and miss the opportunity for some creative integration of the literary world inhabited by each of these ghosts. Each test could have been an issue in and of itself. 

While Barbiere squanders this opportunity, I'm hoping it's simply because Five Ghosts started as a limited 5 issue story arc. Since it has been granted ongoing series status, I will cautiously read the next few issues and remain optimistic that Five Ghosts will deliver on the initial promise I saw in the first two issues.

Pulp Fiction

 

The Chinatown Death Cloud Peril

by Paul Malmont

Published by Simon & Schuster

5 Out of 5 Stars

 

Prior to reading this novel, my experience with pulp fiction was limited to a Tarantino movie and a few stories I read as part of a Master's course in crime and detective stories. I came to the book with no knowledge about Walter Gibson or Lester Dent and no real interest in pulps. How much of the novel is true? I'd say about 1/4 truth, 3/4 pulp. But truth is not the point--the story is everything in this novel and, as the narrator says, "never let the facts get in the way of a good story."

Set during the height of the pulp fiction era, the novel follows Walter Gibson (author of The Shadow) and Lester Dent (author of Doc Savage), two titans of the time period. In addition, authors L. Ron Hubbard (pre-Scientology freakishness), H.P. Lovecraft, and Robert Heinlein all make appearances as characters (even Orson Welles shows up). The book is unique in that it doesn't try to serve as a biography of these characters. Instead, it pays homage to these authors by setting them in a sensationalistic pulp in which they are the protagonists--a fitting tribute to authors who thrilled so many with tales of courage and adventure, unspeakable horror, and plot twists and turns that would give the reader whiplash. The story is full of pulp hallmarks--dashing cowboys, Chinese assassins, beautiful women just bad enough to be good, a maniacal villain willing to stop at nothing to seek revenge (and maybe just rule the world while he's at it), a military secret that threatens society as we know it, zombies, and even a psychic with a chicken. There are train rides, boat rides, and plane rides. There's treasure, treachery, and romance. The book is fun, which was what the pulps were meant to be and, in some ways, isn't that more important than all the highbrow literary snobbery that purports to reflect on the human experience?

The last chapter was pitch perfect and there's a nice twist concerning the narrator of the story. The narrator laments the fact that "The pulps, the pages where American myths had been born, were gone" as "decency and morality oozed across the nation like black tar and old blood" (leave it to decency and morality to ruin a good thing). By the novel's end, I, too, mourned the heyday of the pulps and was glad I got to spend some time in one.